Душевая дверь Vegas EAF EAF 76 09 05--> 100--> Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F

Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F

Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F

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Sigma 60-600 mm DG OS HSM Sport Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F

Sep 25, 2014 · SIGMA 150-600mm F5-6.3 DG OS HSM 5.0 Sports incorporates the best features 5.0. We create this movie to help you understand more about this superior tele-phot.

Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F


Sigma 150-600mm f/5-6.3 DG 5.0 HSM Contemporary Lens Sigma 150-600mm f/5-6.3 5.0 OS HSM Sports Lens Canon EF 100-400mm f/4.5-5.6L IS II USM Lens Nikon 80-400mm f/4.5-5.6G AF-S VR Lens.

All of these lenses extend significantly and the addition of their hoods significantly increases their overall size.

chmall.ru : Sigma 150-600mm 5-6.3 Sports DG OS HSM Lens for Nikon : Camera & Photo

5.0 Use the site's tools to make specific comparisons.
An enhanced auto focus (AF) 5.0 and Hyper Sonic Motor ensure quiet and fast AF.

Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F

The 150-600mm F5-6.3 DG OS HSM Sports offers the highest level of performance and durability with a splash and dust proof construction, and features dimensions of 4.8 inches by 11.4 5.0, with a weight of 100.9 ounces.

5.0 /> Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary. 5.0 haven't tested the Sigma 150-600mm ƒ/5-6.3 5.0 HSM OS "Sports" in the lab yet, but we did have a weekend hands-on with the lens.

Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F

The images we.
Shop B&H's in stock, large inventory for fast shipping, great service and everyday low prices on Sigma 5.0 F5-6.3 DG OS HSM Contemporary Lens. For more info, please call 800-947-4415
Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F


Jun 28, 2017 · The specific lens I’m using here is the Sigma the 150-600mm F5-6.3 DG OS HSM | S (not 5.0 be confused with the Sigma 150-600mm F5-6.3 DG OS HSM 5.0 C). I’ve been very impressed with some of 5.0 recent offerings–I reviewed one of their new 35mm f/1.4 lenses not long ago.

So I was very interested to put 5.0 flagship sports and wildlife.

Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F


Jan 15, 2015 · Sigma 5.0 f/5-6.3 DG OS HSM S Handling and Features 5.0 just under 3kg, this lens is a hefty beast, and some kind of support 5.0 recommended if 5.0 the lens for long periods of time.

5.0 /> Das SIGMA 150-600mm F5-6,3 DG OS HSM | Sports ist ein leistungsstarkes High-End-Ultra-Tele-Zoom-Objektiv, das die höchsten Anforderungen читать статью.
Sep 12, 2014 · Sigma has announced a pair of new telezoom lenses.

Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F

Both described as the '150-600mm F/5-6.3 DG OS HSM' one carries Sigma's 'Contemporary' branding and one is positioned in its 'Sport' lineup. The sports version is dust and splash-proof, while both lenses boast new versions of Sigma's optical image stabilization system. While the focal length range of this lens immediately raises the eyebrows of wildlife and sports photographers, this lens is not limited to those uses.
While photographers pursuing other subjects may not immediately recognize the usefulness of a 150-600mm zoom lens, many will quickly realize the value of what they are holding after they have it in their hands.
And they will likely be surprised by how frequently their lens is set to 600mm.
The Sigma 150-600mm OS Sports Lens' eye-catching focal length range is complemented by a beautiful design, solid build quality and overall excellent functionality.
Though rather large and heavy and though not inexpensive, the opportunities this lens gives the photographer definitely help justify the downsides.
Having the 150mm portion of the focal length spectrum covered is a great asset of this lens, but for those only needing the wider angle range of this lens' focal lengths, there are many other options available and some may be preferrable for one reason or another.
When the focal length needs extend beyond 400mm, the options quickly narrow and the prices ascend rapidly for most of those remaining.
The changed the landscape and quickly became a very popular lens.
While I was not overly impressed with the greater-than-500mm image quality from this lens, what it delivered over the rest of its focal length range was quite impressive and especially impressive for its price point.
The Sigma 150-600mm OS Sports Lens was the next to-600mm zoom lens to reach the streets and the arrived soon after.
Specifically in regard to focal length range, one 150-600mm lens has no advantage over another 150-600mm lens.
Unless those numbers have been rounded significantly.
Using an unscientific methodology involving relating the distance measurement to a properly-framed ISO 12233 enhanced resolution chart relative to the Canon and Nikon 600mm prime lens framing distances, I estimated that the Tamron option came within 95% of the 600mm figure or roughly 570mm.
The Sigma's 600mm test chart framing measurement is slightly shorter than the Tamron's 31.
However, the Sigma has less pincushion distortion at 600mm and this distortion difference could easily be the reason for any difference in the test chart framing distances between these two lenses.
Suffice to say that the Sigma's 600mm is a very long focal length and it is sure to bring a smile to your face.
As implied by the opening sentence, there is a very good chance that wildlife and sports are your photographic pursuits if you are interested in the Sigma 150-600 Sports lens.
While this lens has other very good uses, sports and wildlife frequently have subjects that are not more-closely approachable and longer focal lengths become a requirement instead of a luxury.
As suggested by the lens' name, I used the 150-600mm Sports Lens for many spring sporting events I was covering in recent months.
I was able to capture team award 5.0 at 150mm and could capture distant track and field participants tightly framed as they crossed the finish line or jumped over their bars and hurdles while remaining far out https://chmall.ru/100/igrovoy-kompleks-fauna-international-revizo-45-h-45-h-121-sm.html the way.
I didn't make an effort to get credentialed for one tightly controlled event and from outside of the waist-high track perimeter fence, a 150-600mm lens the Contemporary version in this case allowed me to frame the participants tighter than any на этой странице the credentialed photographers could from inside the fence with the lenses they had.
увидеть больше is Brittany taking down her high school's sophomore class 3200m record.
It was an exciting race that I was privileged to watch.
My memory of that event will fade rapidly, but this image will not and every time I see it, my memory will be refreshed.
From just behind the goal line with 150-600mm in my hands, I was able to cover half приведу ссылку a full sized soccer field using a full frame body.
When the action approached, I could zoom out and with this wide zoom range, I often had my choice of camera orientations available.
When using a prime lens, the distance to the subject often dictates the selection of camera orientation to avoid cropping the subject too tightly.
This focal length range permits ideal framing over a significant range of subject distances, requiring less image quality-detrimental and modestly time consuming cropping in post.
Want close-ups of dangerous sporting activities?
This lens may have your name on it.
The discus throw is one such event I photographed with this lens.
Shooting the thrower through the protective cage does not generate good imagery.
Shooting this event within the landing zone is.
With 600mm available, I was able to shoot tight images of the throwers without subjecting myself to potential impact damage.
I would take my chances with an errant discus throw before risking my life to an oncoming race car.
Auto racing is another sport where close proximity photography is not recommended outside of the pits at least and in this sport, 600mm comes to the rescue.
Most people prefer to stay as far away from snakes as possible: Though I don't have a great set of imagery to share from my efforts, I spent a good amount of time pursuing wildlife with this lens.
It is easy to say that this focal length range is ideal for wildlife use.
After efforts made at two parks on this morning, I headed to the city of Harrisburg, PA for some river and cityscape привожу ссылку />Of all places, that is where a beaver showed up: Bird photographers never have too much focal length and здесь a zoom range to work with means that even large and close birds and other wildlife can be framed environmentally, showing the landscape along with the animal.
There are many other photographers who can make use of this wide 4x focal Поли (Robocar Poli) Рой трансформер см + костюм range.
Photojournalists with restricted access to their subjects, paparazzi and law enforcement groups will find this focal length range useful.
Portraits, especially the tightly framed variety, are on this lens' capability list though 5.0 is a heavy lens for portraiture.
Landscapes are an additional subject included in this lens' capabilities.
Long focal lengths are great for making colorful sky photos from even modestly nice sunrises and sunsets.
Compressed mountain landscapes can be especially nice.
Those extremely narrow angles of view move this lens' uses more deeply into the sports and wildlife range.
Framing small and distant subjects large in the frame is relatively easy at 960mm, but help steadying the camera will be appreciated for good composition.
Here is an example of the 150-600mm focal length range as seen by a full frame camera: While long focal lengths will make you want to photograph very distant subjects, under some situations, too-distant subjects should be avoided.
While haze is primarily limited to affecting long distance photography, heat waves can affect even close range photography.
While testing this lens at 600mm on a sunny afternoon, the focal length magnification made heat wave distortion easy to see over thick продолжение здесь grass at only a roughly 100' 30m subject distance.
Shooting subjects on a track the kind that people run on and the kind that people drive on frequently https://chmall.ru/100/televizor-metz-puros-37-fhdtv-100-ct-z-37.html in heat wave distortion affecting the final image.
Artificial turf also generates lots of heat wave distortion on a sunny afternoon.
The tip here is that using the long focal lengths to photograph distant subjects must be done with consideration to the effects of heat waves and haze.
Note that heat waves can negatively impact AF performance as well.
Another occassional downside of being farther away is that obstructions can come between the photographer and the subject.
Sometimes, focal length-limited photographers competing for the same image are the problem.
Sometimes, it may simply be trees that get in the way.
Max Aperture Want very long focal lengths in a zoom lens without a large size, heavy weight and high price?
You are likely looking at a variable max aperture lens.
A variable max aperture means that wide open aperture exposure settings will change as the lens is zoomed from 150mm to longer focal lengths.
Cameras in auto exposure mode will нажмите чтобы прочитать больше account for the narrowing max aperture change, but manual mode requires a manual exposure adjustment when using wide open apertures unless auto ISO is being used or an in-camera function accommodates the changes.
That difference will not likely be a decision factor for most.
Being realistic, the Sigma 150-600mm, even with "Sports" in its name, is not going to be your best option for capturing low light action.
Don't underestimate the shutter speed required to stop motion at 600mm.
An in-action subject that was photographed at 300mm will need a significantly faster figure 2x exposure duration when photographed at the same distance same subject framing at 600mm due to the subject crossing twice as many pixels in the same time period.
Because reaching for higher ISO settings when shooting fast action is frequently necessary, the narrow aperture may be the biggest detriment to final image quality when using this lens in comparison to a wider aperture prime lens option.
As mentioned, wider apertures greatly increase the size, weight and price of the lens, so as with most products, there has been a tradeoff made.
Not willing to compromise your aperture, but still want the zoom range?
Perhaps the "Green Giant", thehas your name on it.
Fortunately, those remaining apertures are quite useful.
Image Stabilization Optical stabilization can greatly increase the versatility of most lenses, and when the focal length increases to 600mm, especially on an APS-C body, OS can save the day by virtue of the stabilized viewfinder alone.
Framing a subject properly at 600mm handheld requires steady arms, but OS reduces the steadiness requirement to include a much greater population.
Sigma has not published the optical stabilization system rating for this lens, but I would be surprised to learn of a less-than-four-stop rating being introduced today.
The keeper rate slowly declines as exposure durations are increased until about.
Getting even 1 keeper at.
Longer focal lengths with their greater magnification require faster shutter speeds to deliver sharp handheld results than their wider angle counterparts do.
адрес is common for stabilized telephoto lenses, the Sigma 150-600 features mode 1 normal and mode 2 panning options.
Using thethis lens' OS can be further configured to one of three settings described by Sigma as: Dynamic View Mode — This mode offers a recognizable OS effect to the image in the viewfinder.
This helps to ensure the composition of images quickly.
Standard — This is the default setting.
The OS effect is well-balanced and suitable for various scenes.
Moderate View Mode — This mode offers an excellent compensation of camera shake, and achieves very smooth transition of the image in the viewfinder.
The composition of the image remains natural even when the angle of view keeps changing.
The lens comes with "Standard" selected by default.
I primarily used Standard mode for my testing and off while shooting sportsbut I prefer Dynamic View Mode for subjects that are not moving quickly.
Some clicks are heard at OS startup and shutdown, but the operational hum is very faint.
There is sometimes a small amount of jumping seen at OS startup and shutdown and subject framing drifts a small amount during OS operation.
The end results from this lens' stabilizer are quite good.
Image Quality A zoom lens advertised as reaching 600mm while having a wide range of additional focal lengths immediately raises my skepticism in regards to image quality.
If the Tamron 150-600 hadn't paved the way, my expectations from this lens would have been considerably lower.
Having already evaluated Sigma's first Sports lens, thewith a positive outcome also increased expectations.
The first hurdle to determining this lens' image quality was to actually get the lens in my hands.
Sigma claimed that very high worldwide demand was the cause for this lens being unavailable, not showing in retailer stock until over 5 months after first being available.
It was many months until I had the first sample on my desk and unfortunately, that lens became the second hurdle.
That lens apparently had a misalignment problem that rendered the left side of the image sharper than the right as illustrated приведу ссылку />Another month or two passed until I could get two additional lenses to test.
One of these lenses was provided by Sigma USA a loan and the second test lens was the result of a retail preorder finally being fulfilled.
Most people consider image sharpness, a combination of contrast and resolution, to be the most important lens image quality attribute.
Based on two samples testing similarly, you can expect good sharpness from the Sigma 150-600 Sports lens across the entire full frame sensor with a wide open aperture.
This lens performs remarkably consistently over the entire focal length range.
Though the Sigma-supplied lens sample "1" in the image quality tool is slightly soft on the right side at 300mm with a wide open aperture the https://chmall.ru/100/busina-dzi-17-iz-agata-volni-sudbi-razmer-30h10-mm.html side looks great and the retail lens is also slightly softer at 300mm, the balance of the focal length results are similar within and across lenses.
Note that the second good lens was used for the 7D II test results in the Image Quality tool.
While I'm not going too contend that this lens competes at the level of the most-elite zoom lenses available today in terms of sharpness, it does perform reasonably well.
It performs especially well for having such a wide range of very long focal lengths.
I'll add many comparisons in the alternate lens section at the end of this review.
There is of course читать to image quality than sharpness.
Full frame camera owners will see close to or just over 2 stops of vignetting in image corners when using this lens with a wide open aperture.
This amount is moderately noticeable.
Wide нажмите для продолжения corner shading variation over the focal length range is quite low.
APS-C format body owners will not likely notice vignetting when using this lens, regardless of aperture setting.
Expect to see a modest amount of 5.0 Chromatic Aberration in the mid and peripheral image circle at the wide end of the focal length range.
The CA diminishes to negligible in the mid lengths around 400mmbut becomes modestly noticeable again as 600mm is reached.
For the uses I've had for this lens, I seldom encountered the effects of CA.
For the worst case 150mm full frame corner example shown below, I intentionally went looking for strongly contrasting lines running tangential to the image circle.
It is a telephoto lens with long focal lengths and a large element count, so one should expect to see some flaring if a very strong light source enters the picture such as the sun.
For safety reasons my own and the camera'sI did not perform standardized flare tests on this lens beyond 400mm.
The amount of flaring seen in this range was not unusual.
The 150-600 Sports lens has a slight amount of pincushion distortion that is very consistent over the entire focal length range.
The least amount of distortion is at 600mm, but the 5.0 between this focal length and the rest is small.
This lens performs very well against other zoom lenses in this regard.
Sporting venues are full of distracting background elements and the blur capability becomes even more important in these situations.
While this lens is not the ultimate performer in this regard, it is quite good and impressive for what it provides otherwise.
Focusing Driven by Sigma's HSM Hypersonic Motorthe Sigma 150-600mm OS Sports Lens 5.0 with reasonable speed out of the box.
I say "out of the box" because the focus speed performance attribute can be configured using the Sigma Dock.
Basically, the slower Sigma references "smoother" instead the lens focuses, the greater the chance that the lens focuses accurately.
The default "Standard" option provides a balance of speed and accuracy.
By configuring one of this lens' two custom modes switch selectablefaster Motor's drive speed-priority and slower Focus accuracy-priority focus drive speeds can be selected.
You may find the slower speed to be the better low light option while the faster speed may prove great for your high contrast in-action subjects under bright light.
Place a clearly delineated subject with good contrast on a focus point and this lens focuses with decent speed in "Standard" mode and moderately fast in "Motor's drive speed-priority".
The Standard mode has proven fast enough for most uses I have had.
Note: for this lens.
I gave this lens перейти на источник serious AF accuracy workout to insure that it was functioning up to my expectations and could be trusted.
I walked away happy.
One shot AF is very consistently accurate and AI Servo results were quite good.
There were not many images that I tossed on account of mis-focusing.
I successfully captured many thousands of AI servo mode sports action photos with this lens.
Somewhat troubling was a failure to focus condition I encountered at a soccer game when using a mid-right, top-positioned 1D X AF point while tracking an incoming player in good light.
My EOS 1D X's AI Servo AF settings specify focus priority, so the shutter should not open unless the camera has locked onto the subject.
Here is an example: This image was the 8th frame into a 12 frame burst.
The AF point indicated by the white "X" was properly placed on the subject throughout the entire burst.
Every frame is completely blurred and no AF points indicate being active in DPP's Quick View shown.
This happened four times during this game and at that point, I switch to the center AF point with no further problems encountered.
There were a handful of instances where I could hear the 1D X skip frames in a burst due to failure to maintain locked focus.
The subject was a person running and the missed frames caught my attention as not being normal.
Using the faster focus setting might have resolved this problem.
By reducing the focus distance range the lens has to hunt through to find the correct focus distance this lens does hunt on occasionthis lens can potentially lock focus faster.
The focus limiter switch is designed for this purpose.
Don't like any of those options?
The dock can be used to create your own focus limit посетить страницу, selectable using the custom mode switch on the lens.
I did not have focus calibration issues with this lens, but if encountered with your lens and camera combo, the dock can be used to correct this problem.
With dock compatibility, consistent front or back focus issues can be corrected in the lens at 4 focus distances for 4 focal lengths 150mm, 250mm, 400mm, 600mm.
The Sigma 150-600mm Sports Lens focuses quietly unlikely to scare off your CoolFreeze CFX 100 with the typical shuffling of lens groups being just-audible in a very quiet environment.
This lens focuses internally and FTM Full Time Manual focusing is available.
The front element does not rotate with focusing.
This lens is very close to being parfocal.
With Live View at 10x, focus acquired at 600mm remains nearly ideal while zooming out all the way to 150mm.
Videographers especially appreciate parfocalness in a lens, and they will also appreciate the lack of focus breathing https://chmall.ru/100/stabilitroni-satec-bzx55c43.html lens shows.
Subjects come into and go out of focus very smoothly and stably with little or no change in their перейти size.
The 150-600mm Sports Lens' focus ring is very nicely-sized, very smooth and well-damped with just the right amount of torque required to affect change.
The 126° of rotation is great for precise focusing at the wide end, but rather fast for 600mm adjustments.
An advantage of a fast rate of focus change is that fast moving subjects are easier to track but doing so requires skill.
A considerable number of focus distances are marked in ft and адрес страницы inside the focus distance window.
As clued by the focus limiter switch settings, this lens has a 102.
At 600mm, this distance provides a moderate 0.
Our MFD test showed that we could manually focus this lens down to about 90% of the rated MFD.
Model MFD MM 47.
The following image features a Дары Памира Сныть порошок пластиковый пакет, 100 г 102mm peony flower captured at 600mm and MFD, illustrating what the 160-600mm Sports Lens' 0.
This lens will not be confused with a macro lens, but.
Here is a Contemporary lens-captured eastern chipmunk at or very close to the maximum manually-focused MFD: For a modestly shorter MFD but loss of infinity focusing and a correspondingly higher MM, use.
For a more significant magnification at any focus distance with no change in MFD, mount a Sigma Global Vision Teleconverter behind this lens.
Magnifying the image by 1.
The latter is actually a positive change as it reduces the native pincushion distortion.
Focusing remains quick, but focus hunting becomes more common.
While the focal length range on this combo looks amazing, the resulting image quality is not likely to impress you.
CA is again increased slightly and distortion remains similar to the with-1.
Use the image quality and distortion tools to clearly see the results of the with-extender combinations with your own eyes links provided at the top of this review.
The 150-600mm Sports lens feels like military grade hardware.
This feel is aided by a significant size and weight, but this lens is a very well-constructed, pro-grade, weather-sealed lens.
With surfaces of differing matte-ness of black, the 150-600mm Sports lens looks at least as good as it feels and functions.
We have seen a design similar to Sigma's 150-600mm OS Sports Lens before and I like it now at least as much as I liked it the first time I used it.
I'm referring to Sigma's first "Sports" lens, the.
Here is the visual comparison between those two lenses: Primary lens barrel construction is of alluminum alloy and looks like this: Here is a look at the functioning of this lens: Most of the very large lenses available today do not extend, thus the site's standard large lens images do not maximize the views of extending lenses.
This lens, reaching a long 18.
Because it is interesting to make comparisons between this lens and the smaller lenses, the 150-600 Sports is included in both of the site's product image comparison tools.
That some of this lens' images are cropped in the smaller lens format sample set is expected, but the inclusion is still worthwhile from my perspective.
This lens has no play in any parts.
этим TFT дисплей 14,1 1280x800 B141EW04 V3 под crisply-ribbed, substantially sized rubber rings are very smooth with firm ideal rotational resistance.
The zoom ring, located toward the front of the lens, has a noticeable change in diameter starting mid-way into it, providing a приведу ссылку method of locating this ring.
This ring's 126° of rotation provides a nice rate of transition between focal lengths.
The zoom ring rotates in the Canon-standard direction opposite of the Nikon standard.
This lens has you covered.
Both methods have advantages and disadvantages, and your zoom method can be instantly changed at any time.
The end of this lens is heavy, so it is no surprise that the end of the lens moving in the direction that gravity is pulling makes the zoom ring easier to turn with the opposite also being true.
Gravity zooming is a bit of an issue with this lens.
If the lens is pointed downward, you will quickly find it at full extension.
For example, if you are shooting at a focal length less than 600mm and then direct the lens downward to rest your arms, to review your images on the LCD or for some other reason, the lens will extend fully to 600mm.
The desired focal length must be re-established to continue shooting the same subject.
Shooting upward at a hard angle?
Plan on needing to hold the zoom ring in place to retain your selected focal length.
Otherwise, the lens will self-retract.
This problem is not unique to this lens, but this lens exhibits stronger gravity zoom attribute than most.
Sigma's solution to this issue is a zoom lock switch.
As with most lenses having a zoom lock switch, this lens will not extend even with pressure applied часто Эллиптический тренажер Life Fitness 95Li сурприз locked at the widest angle focal length.
Unlike most lenses, the 150-600mm Sports Lens can be locked at any marked focal length.
While the lens cannot be locked at any of the in-between focal lengths, the marked focal lengths will lock in place until a modest pressure is applied to the zoom ring or the end of the lens or the switch is moved to the unlocked position.
The lock will not support a camera resting on top of the lens when sitting upright — the lens will retract in that situation.
The lock switch along with a host of other switches can be seen in the image below.
Aside from the lock switch, 3-position switches are standard.
It is easy to misposition a short-throw 3-position switch such as these, but Sigma has done a nice job with the solid clicks these firm switches provide.
Very nice is the white backgrounds on two of the switches, visually indicating set positions.
I'll talk about the Custom switch under the dock subheading below.
This is a big and heavy lens.
It can be handheld, but it is most comfortably used with support.
Here is a comparison chart to put everything in perspective.
While many combinations of lenses can be positioned next to each other using the site's Product Image Comparison Tools, here is a visual comparison that I wanted to see: Positioned above from left to right in their fully retracted positions are the following lenses: All of these lenses extend significantly and the addition of their hoods significantly increases their overall size.
Use the site's tools to make specific comparisons.
The Sigma 150-600mm Sports Lens' included LH1164-01 Hood is beautifully sculpted, and more importantly, very well constructed.
This thumbscrew-attached metal hood provides great protection to the lens itself.
The flat end of the hood permits the lens to be placed upright on a smooth surface and the rubberized surface on the end of the hood prevents scratching of the hood or the surface the lens is sitting on.
The rubberized hood end also permits a more-sure grasp on the hood when installing or узнать больше it and helps prevent the lens from sliding on its resting surface.
Sitting the lens upright is nice for relieving your arms while shooting handheld.
The mount end of the hood is reinforced for lock-down strength.
Even the locking thumbscrew feels finely crafted and operates very smoothly, locking the hood so tightly in place that it feels like part of the lens.
Have any 105mm threaded filters in your kit?
That answer is probably "No.
That filters of this size are uncommon, very large and expensive are downsides.
My largest filters are 95mm, so I was unable to take advantage of this lens' threads.
The Sigma 150-600mm Sports Lens ships with a nice zippered, padded nylon case with a shoulder strap permanently 5.0 to a side.
A single-side-attached strap rests against the body better than a strap attached to opposite sides.
I would find this case even more functional with a few additional inches of length added to allow a mounted DSLR to fit inside.
Perhaps a foam spacer could be included for when not carrying the camera.
Tripod Ring The Sigma 150-600mm Sports lens tripod ring is included and is not removable.
Because of its importance for this lens and because of how well-constructed it is, this tripod ring все Подшипник 942/20 (HK 2020) что адрес страницы subheading of its own in this review.
This is a heavy lens and it will be most comfortable to use used when resting on a tripod or monopod.
That means that the tripod ring will be an important component in the use of this lens and I'm happy to say that this one is very solid and very smooth.
If directly mounting this lens to a tripod or monopod, the choice of insert to use can be made for best balance of the lens.
Because this lens is heavy and because it extends significantly, the balance changes noticeably продолжение здесь the zoom range — enough that the center of the composition will become lower as the lens is extended to the longest focal lengths even when mounted to solid tripod and head combinations.
The balance also changes significantly with inclination or declination.
What I personally like about having three inserts is that I can use the largest available, the P50.
The three attachment points provide a secure, no-twist mounting of the plate and the long plate gives me a fast adjustment of balance over the full length of the plate.
The large plate was just enough for me to balance the lens over the tripod head when I was photographing the flower close-up picture shared above at a modest downward angle.
A low profile foot is helpful in keeping the center of gravity low, which improves balance of the lens.
However, the very low profile foot in this case is detrimental to how I use this lens.
I generally carry big lenses by their tripod feet and carry medium-sized lenses by lens plates extending well beyond their feet lengths.
This foot is long enough that the lens plate is not an advantage for carrying and the shallow depth of the 150-600 Sports tripod foot means that my medium-sized fingers are a very tight fit.
Tight enough that it is uncomfortable and tight enough that the raised switch bank and my fingers do not fit at the same time.
Tight enough that adjusting focus manually is also somewhat limited.
The tight finger fit was also a modest issue for me because of how I control a monopod-mounted lens using my left hand on the tripod foot.
The tripod ring is not removable, but the tripod foot is.
You can remove it to use the lens without a foot, or the foot can be replaced with the as shown below.
Not only does the TS-81 provide a very long built-in Arca-Swiss standard lens plate, but it also has a higher profile that permits better grip for fingers — it looks like a great lens upgrade to me.
The tripod ring lock knob is conveniently positioned for use and locks smoothly with no slip-stick behavior right up until fully tightened.
Detents are provided at 90° rotation settings with marks visually indicating the same.
The Часы настольные Rhythm CRH124NR06 collar has a pair of attachment points for mounting the included neck strap.
Ideally positioned, these attachment points allow the camera to be freely rotated without the strap strangling your neck.
Note that the tripod ring on this lens is nicely improved over the 120-300mm Sports lens tripod ring.
That lens' slightly sharp clamping mechanism is no longer used.
Sigma Global Vision and the Dock Sigma's Global Vision lenses get a classification of "A", "C" or "S", representing a primary Sigma-intended designation of "Artistic", "Contemporary" and "Sports".
читать full description of these categories can be found in the.
I've likely overstated my opinion, but I am not a fan of the rather narrow categorization structure.
As a Global Vision lens, this lens gets an "S" stamped in a classy chrome circle on the lens barrel.
While this lens is a great option for sports photography, it is at least as well-suited for wildlife photography, so.
This lens also gets an "A" for build quality and, artistic images are well within the reach of this lens.
By dictionary definition, I'd classify this lens as "Contemporary" also.
Regardless, I am really liking what Sigma is doing with the Global Vision lines.
Just don't limit the lens' use to their letter designation.
A great feature of the Global Vision lenses is compatibility with the.
The dock, working in conjunction with the software, allows the lens' firmware to be updated bug fixes, compatibility updates, feature enhancements, etc.
The second row of options illustrates what is available for programming into the C1 and C2 Custom switches.
These settings become immediately available at the throw of a switch.
I currently have Custom switch 1 programmed to "Motor's drive speed priority" and "Dynamic View Mode".
Price and Compatibility The price of a pro-grade lens is typically a hurdle to get over.
This lens wears a heavy price tag, but.
Some of Canon and Nikon's pro-grade telephoto zoom lenses with significantly shorter upper-end focal lengths are priced similarly.
Canon and Nikon's 500 and 600mm lens options are multiple times higher.
Coming from the other end, Sigma and Tamron both 5.0 lenses with the same focal length range at just over half of the price of this lens.
An in-the-field failure of one of these lower-priced lenses may leave you regretting the decision to save money up front.
The Sigma 150-600mm OS Sports Lens is available in Canon reviewedNikon and Sigma mounts.
The Sigma 150-600mm Sports Lens qualifies for Sigma's Mount Conversion Service in case you change your mind.
My standard disclaimer: There are potential issues with third party lenses.
Since Sigma reverse engineers vs.
Sometimes a lens can be made compatible by the manufacturer, sometimes not.
There is also the risk of a problem that results in the lens and body manufacturers directing blame at больше информации other.
Compatibility with the Sigma USB Dock is risk reducing as Sigma can release firmware updates for dock-compatible lenses.
Sigma USA's 4-year warranty is superior to Canon's standard 1 year warranty Sigma's international warranty is also 1 year.
Two of the reviewed lenses were retail models and the third was on loan from Sigma USA.
Don't go the "Wrong Way" or be stuck at the "Station".
The "Championship Way" is the direction of choice.
Let's decide your direction.
Alternatives to the Sigma 150-600mm OS Sports Lens The was Sigma's prior entry into this lens class.
I would rather have any of the 150-600mm lenses over this earlier model.
Sigma produces one of this lens' strongest competitors, the nearly 50% lower-priced and much lighter.
The is an interesting one.
I expected the "S" version to be vastly superior optically, but that is not completely how the results turned out.
In fact, at first glance at the image quality results, these two lenses may appear to share the same optical construction, but a look at the internals shows the elements and groups counts being different.
The max aperture step-down, as shared in the table early in this review, is also different with the "C" having a slight advantage.
Looking at the wide open aperture image quality results, I see the "C" lens having a very slight advantage in the center of the frame at wider than 300mm focal lengths and at 300mm, the "C" wins more noticeably overall.
At 400mm, the two are very similar with the "C" having a slight edge in the corners.
The differences at 500mm are not going to show in real life images.
At 600mm, the most important focal length for a significant percentage of the target market for this lens, the "S" has an edge.
The Sports lens has slightly less distortion and slightly more flare overall.
Another key comparison to make is thethe first major entry into the 150-600mm lens category.
Until 300mm, these two lenses are very similar in sharpness.
From 300-400mm, I see the Tamron having an edge.
The Sigma has sharper corners at 500mm and I would rather have either of the Sigma lenses when I need 600mm.
The Tamron has slightly stronger pincushion distortion and has stronger CA.
I found the Sigma to more consistently focus accurately and to be 5.0 at longer shutter speeds.
The Sigma has a superior build quality, but it is also nearly 2x the price and significantly larger and heavier.
The Tamron has a longer warranty 6 years vs.
Another comparison that some will consider relevant is the.
The Canon is lacking a significant 200mm on the long end, but this lens is Canon's longest small-form-factor zoom and it is a very impressive performer.
The Canon easily bests the Sigma in sharpness and contrast over the entire shared native focal length range.
The Canon has a significantly higher MM 0.
The two lenses are similarly priced without an extender factored inwith the Canon having a smaller size and lighter weight.
Another comparison I looked at is the.
The Canon lens is very considerably more expensive, 27% heavier and noticeably larger.
The Canon has a wider aperture and easily wins the sharpness comparison including at 560mm with its built in extender in the optical path.
Use the site's various tools to make your own comparisons, including with the many lenses I did not specifically include here.
With optical performance just a bit shy of the most elite zoom lenses, and with an incredible range of very long focal lengths available, sports and especially wildlife photographers along with many others will find this lens to be a very useful tool in their kits.
This lens can bring home imagery that many others cannot.
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Объектив Sigma AF 150-600mm f/5.0-6.3 DG OS HSM Sports Nikon F

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